Wednesday, October 14, 2009
Portrait Photography by Kristofer Dan-Bergman
Kristofer Dan-Bergman is a Swedish-born New York–based photographer. He started out as a photojournalist 14 years ago, working primarily with European papers (including Dagens Nyheter, El Pais, El Mundo, and Corriera). He began photographing portraits for magazines (including Men's Life, Elle, Worth, and The Source) and later started shooting advertising campaigns (including Clarins, Pfizer, and Panasonic).
His work is in the permanent collection of International Center of Photography. He has had numerous exhibitions for his fine arts as well as his documentary photography. Recently he was part of the Fatal Love exhibition at the Queens Museum of Art.
Dan-Bergman divides his shooting time between documentary, commercial, editorial and fine art. He has had numerous solo and group exhibits. Some of these include, in the documentary field: Garissa/Kenya, Rajasthan/India, and Mali. In the fine art field: Unbound, Agile, and Touch. He is also represented in the permanent collection of International Center of Photography.
Future projects include the continuing cooperation with Outer Voices, in which he will visit sites in the South Pacific in where the organization is present. He is also working on a documentary about West Sahara and the Polisario.
Recent commercial clients include: Clarins (worldwide, 25 shots,cosmetic, beauty), Walden University (30 ads, b/w portraits), Pfizer(pharmaceutical, lifestyle),Palace Hotel (Beauty), Panasonic (Lifestyle), Tag Heuer (Portraits b/w), Glaxo Welcome (Pharmaceutical, Lifestyle), Remy Martin (Liquor, Lifestyle).
Recent Exhibitions: CHAPTERS, Fotorelief, Unbound, Touch, Extremities as well as the documentaries "The Karen People of Burma","The dessert people 2-Mali", "A day in the life of Dr. Hambraeus Garissa, Kenya" and "The dessert people 1-Rajasthan India".
Kristofer Dan-Bergman is a Swedish-born New York–based photographer. He started out as a photojournalist 14 years ago, working primarily with European papers (including Dagens Nyheter, El Pais, El Mundo, and Corriera). He began photographing portraits for magazines (including Men's Life, Elle, Worth, and The Source) and later started shooting advertising campaigns (including Clarins, Pfizer, and Panasonic).
His work is in the permanent collection of International Center of Photography. He has had numerous exhibitions for his fine arts as well as his documentary photography. Recently he was part of the Fatal Love exhibition at the Queens Museum of Art.
Dan-Bergman divides his shooting time between documentary, commercial, editorial and fine art. He has had numerous solo and group exhibits. Some of these include, in the documentary field: Garissa/Kenya, Rajasthan/India, and Mali. In the fine art field: Unbound, Agile, and Touch. He is also represented in the permanent collection of International Center of Photography.
Future projects include the continuing cooperation with Outer Voices, in which he will visit sites in the South Pacific in where the organization is present. He is also working on a documentary about West Sahara and the Polisario.
Recent commercial clients include: Clarins (worldwide, 25 shots,cosmetic, beauty), Walden University (30 ads, b/w portraits), Pfizer(pharmaceutical, lifestyle),Palace Hotel (Beauty), Panasonic (Lifestyle), Tag Heuer (Portraits b/w), Glaxo Welcome (Pharmaceutical, Lifestyle), Remy Martin (Liquor, Lifestyle).
Recent Exhibitions: CHAPTERS, Fotorelief, Unbound, Touch, Extremities as well as the documentaries "The Karen People of Burma","The dessert people 2-Mali", "A day in the life of Dr. Hambraeus Garissa, Kenya" and "The dessert people 1-Rajasthan India".
Labels: Commercial Photography, Editorial Photography, Portrait Photography
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